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Shannon and the Clams Tickets

Shannon and the Clams

Shannon and the Clams Concerts

Date	Location	Venue	Price	Get tickets
07.10.2024 07:30	Albuquerque USA	Sunshine Theatre 07.10.2024 07:30	$35.75-$112.00	Buy tickets
08.10.2024 08:00	Englewood USA	Gothic Theatre 08.10.2024 08:00	$43.59-$149.00	Buy tickets
10.10.2024 08:00	Salt Lake City USA	Soundwell 10.10.2024 08:00	$39.04-$149.00	Buy tickets
11.10.2024 08:00	Boise USA	Ballroom At Shrine Social Club 11.10.2024 08:00	$29.64-$110.00	Buy tickets
13.10.2024 08:00	Portland USA	Revolution Hall - Portland 13.10.2024 08:00	$49.69-$71.00	Buy tickets
15.10.2024 07:00	Vancouver Canada	Rickshaw Theatre 15.10.2024 07:00	$39.23-$72.00	Buy tickets
16.10.2024 08:00	Seattle USA	The Neptune Theatre 16.10.2024 08:00	$43.96-$300.00	Buy tickets
19.10.2024 08:00	Oakland USA	Fox Theater - Oakland 19.10.2024 08:00	$53.82-$300.00	Buy tickets

Artist Info

Mixing together the doo wop and early rock & roll of the '50s, the dramatic girl group sounds of the '60s, and some punky snarl imported from 1977, Oakland, California's Shannon & the Clams came up with a sound that was charmingly retro but never stale. Formed in the late 2000s by vocalist/bassist Shannon Shaw, vocalist/guitarist Cody Blanchard, and drummer Ian Amberson while going to art school, they began playing shows around town and soon released a single on Weird Hug Records. They next hooked up with 1-2-3-4 Go! Records for their debut album, 2009's I Wanna Go Home. Around this time Shaw was playing bass and singing in Hunx & His Punx too. After a 2010 full-length, Sleep Talk, for 1-2-3-4 Go! and a long string of singles, they moved over to Hardly Art for their third album. Dreams in the Rat House was recorded over the course of a year in various locales like Nobunny's practice space and a log cabin, and featured a tighter, tougher all-around sound. By the time of 2015's Gone by the Dawn LP, Amberson had left the group and Nate Mahan (aka Mayhem) had taken over the drumming duties. Produced by Sonny Smith at Tiny Telephone Recording in San Francisco, the album was another step forward in sound and craft for the trio.