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Cursive Tickets

Cursive

Audiences who enjoy acts like Cursive know that pop music and rock music are generally considered to be the types of music that the broadest audience will listen to. Pop and Rock artists target the "mainstream" through the use of catchy rhythms, melodies, and lyrics. Pop and rock music is often ranked in charts based on record sales, airplay, or a combination of both. Pop and rock artists are responsible for two of the most commercially successful and widely listened-to genres in the history of music.

One of the biggest pop music artists of all time is Madonna, who is often referred to as the "Queen of Pop." Britney Spears was often called the "Princess of Pop", and Michael Jackson was known as the "King of Pop." In a similar way, Elvis Presley was referred to as the "King of Rock n' Roll" in his day, and The Beatles are still recognized as one of the most legendary pop groups worldwide. Currently, One Direction and Lady Gaga are well known acts in the pop music genre, while the Dave Matthews Band, Pearl Jam, and Queen are among the most popular rock bands. Find tickets for Cursive tickets at TicketNetwork!

Cursive Concerts

Date Location Venue Price Get tickets

30.01.2025 08:00

Fort Collins

USA

Aggie Theatre

30.01.2025 08:00

$40.00-$300.00

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31.01.2025 09:00

Englewood

USA

Gothic Theatre

31.01.2025 09:00

$47.36-$300.00

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01.02.2025 08:00

Salt Lake City

USA

The Urban Lounge

01.02.2025 08:00

$51.45-$300.00

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02.02.2025 07:00

Boise

USA

El Korah Shrine

02.02.2025 07:00

$68.60-$73.00

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03.02.2025 09:00

Spokane

USA

The District Bar - Spokane

03.02.2025 09:00

$38.36-$115.00

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04.02.2025 08:00

Seattle

USA

Crocodile Cafe

04.02.2025 08:00

$60.01-$149.00

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05.02.2025 08:00

Portland

USA

Revolution Hall - Portland

05.02.2025 08:00

$45.00-$300.00

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06.02.2025 08:00

Sacramento

USA

Harlow's Night Club

06.02.2025 08:00

$37.00-$150.00

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07.02.2025 08:00

Felton

USA

Felton Music Hall

07.02.2025 08:00

$45.00-$150.00

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08.02.2025 08:30

San Francisco

USA

Ruby Skye

08.02.2025 08:30

$52.50-$300.00

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10.02.2025 07:00

Morro Bay

USA

The Siren

10.02.2025 07:00

$115.00-$115.00

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11.02.2025 08:00

Ventura

USA

Ventura Music Hall

11.02.2025 08:00

$38.00-$300.00

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12.02.2025 08:00

Los Angeles

USA

Regent Theatre - CA

12.02.2025 08:00

$48.72-$300.00

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14.02.2025 08:00

Pomona

USA

The Glass House

14.02.2025 08:00

$71.00-$115.00

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15.02.2025 09:00

San Diego

USA

Music Box - San Diego

15.02.2025 09:00

$49.00-$300.00

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17.02.2025 08:00

Las Vegas

USA

Backstage Bar & Billiards

17.02.2025 08:00

$64.00-$300.00

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18.02.2025 07:30

Phoenix

USA

The Crescent Ballroom - Phoenix

18.02.2025 07:30

$49.00-$300.00

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19.02.2025 08:00

El Paso

USA

Lowbrow Palace

19.02.2025 08:00

$65.00-$115.00

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20.02.2025 08:00

San Antonio

USA

Paper Tiger

20.02.2025 08:00

$49.00-$300.00

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21.02.2025 08:00

Austin

USA

Mohawk - Austin Outdoors

21.02.2025 08:00

$70.00-$300.00

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22.02.2025 08:00

Houston

USA

White Oak Music Hall

22.02.2025 08:00

$43.43-$115.00

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23.02.2025 08:00

Dallas

USA

The Kessler

23.02.2025 08:00

$40.00-$300.00

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05.04.2025 08:00

Chicago

USA

The Salt Shed - Chicago

05.04.2025 08:00

$78.90-$406.00

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Artist Info

As early as 1995, the original members of Cursive -- Tim Kasher on guitar and vocals, Clint Schnase on drums, Matt Maginn on bass, and Stephen Pederson on guitar -- began work on their newly christened project, experimenting with elements of indie rock and eclectic post-hardcore to fashion a unique sound. The Omaha, Nebraska-based four-piece came out of existing friendships and some of the members' previous work together in Slowdown Virginia, making the musical partnership a logical idea from the start. They debuted with the "Disruption" 7" on the local friend-run label Saddle Creek and shortly released a second 7", "Sucker and Dry," on New York-based Zero Hour. Both recordings spotlighted Kasher's uniquely powerful voice along with the group's consistently thundering rhythm section and jagged guitars. Cursive went even further on their debut full-length, Such Blinding Stars for Starving Eyes. Split-released by Crank! A Record Company and New York's Interplanetary Truckers Union in 1997, the LP received high acclaim and put the band on the musical map.
Over the next year, Cursive released both a split 10" with Austin's Silver Scooter (also on Crank!) and yet another 7" entitled "Disruption." The latter record began the band's extensive future with Saddle Creek, and in November of 1998, the label released the group's second full-length, The Storms of Early Summer: Semantics of Song. The LP saw the band's first real attempt at incorporating linked lyrical concepts, as Kasher's lyrics told the tale of a man's complete breakdown over the aggressive song structures. Unfortunately for their growing fan base, the record didn't even yield a tour and instead saw the members disband to work on other projects, with no mention of a reunion at some later date.
After the temporary split, the members of Cursive explored a number of different outlets (including Commander Venus and Bright Eyes). After one failed marriage and some real introspection, however, the group decided to give things another shot, a fortunate conclusion that in June of 2000 resulted in the realization of Domestica. Full of fractured rhythms and lyrical examinations of a couple's crumbling relationship, the album spun a story that carried an odd familiarity to the real life experiences of Kasher. Domestica also introduced a new Cursive member, vocalist/guitarist/songwriter Ted Stevens, formerly of Lullaby for the Working Class. (Pederson bowed out of the group to continue his education at Duke University; he later formed White Octave.)
Novena on a Nocturn, the debut of Kasher's solo project, the Good Life, was released in 2001. Also notable was the release of another Cursive EP, Burst and Bloom, which added cellist Gretta Cohn to the band's lineup. Meanwhile, Cursive were featured on the first 7" in Makato Recordings' year-long monthly 7" series, and the quintet returned in 2003 with The Ugly Organ. Their most ambitious album to date, The Ugly Organ was hailed for its challenging songwriting, obtuse conceptual scope, and serious lyrical turns. As the band readied a worthy follow-up album, Saddle Creek issued Difference Between Houses and Homes in August 2005, assembling Cursive's out of print 7"s (including two unreleased songs) into a stopgap compilation. Happy Hollow ultimately arrived in 2006, marking the departure of Cohn but also the inclusion of a brass section, which the band utilized to explore religious contradictions within the context of a fictional Western town. The following year, founding drummer Clint Schnase left Cursive on good terms and was replaced by touring drummer Cornbread Compton, and the band continued onward with its revised lineup, ringing in 2009 with the release of Mama, I'm Swollen. In 2012, they aimed for a heavy sound, choosing to work with Mastodon and Isis producer Matt Bayles on I Am Gemini, a concept album about two twins separated at birth.

Cursive Video