Style filters

Gene Loves Jezebel Tickets

Gene Loves Jezebel

Audiences who enjoy acts like Gene Loves Jezebel know that pop music and rock music are generally considered to be the types of music that the broadest audience will listen to. Pop and Rock artists target the "mainstream" through the use of catchy rhythms, melodies, and lyrics. Pop and rock music is often ranked in charts based on record sales, airplay, or a combination of both. Pop and rock artists are responsible for two of the most commercially successful and widely listened-to genres in the history of music.

One of the biggest pop music artists of all time is Madonna, who is often referred to as the "Queen of Pop." Britney Spears was often called the "Princess of Pop", and Michael Jackson was known as the "King of Pop." In a similar way, Elvis Presley was referred to as the "King of Rock n' Roll" in his day, and The Beatles are still recognized as one of the most legendary pop groups worldwide. Currently, One Direction and Lady Gaga are well known acts in the pop music genre, while the Dave Matthews Band, Pearl Jam, and Queen are among the most popular rock bands. Find tickets for Gene Loves Jezebel tickets at TicketNetwork!

Gene Loves Jezebel Concerts

Date Location Venue Price Get tickets

15.02.2025 07:00

Everett

USA

Everett Theatre

15.02.2025 07:00

$100.00-$100.00

Buy tickets

15.05.2025 06:00

West Hollywood

USA

Whisky A Go Go

15.05.2025 06:00

$38.00-$807.00

Buy tickets

Artist Info

Twin brothers Jay and Michael Aston began playing music in 1980 when they formed Slav Arian with guitarist Ian Hudson and a drum machine. Though the Astons grew up in Porthcawl, South Wales, they moved to London in 1981 and renamed the goth-influenced group Gene Loves Jezebel. The trio played several live shows and were quickly signed by Situation 2. In May 1982, the label released Gene Loves Jezebel's demo single, "Shavin' My Neck." The band then added bassist Julianne Regan and drummer Dick Hawkins. Regan left soon after to form All About Eve, leaving Ian Hudson and Michael Aston to alternate on bass until Peter Rizzo joined in 1984. Hawkins also split for a time -- replaced by John Murphy and later Steve Goulding -- but returned in 1983.
Gene Loves Jezebel released two more singles in 1983 before their debut album, Promise, hit number one in the U.K.'s indie charts. In 1984, the group recorded a John Peel radio session for BBC and toured America with John Cale. After returning to England, Gene Loves Jezebel released the singles "Influenza (Relapse)" and "Shame (Whole Heart Howl)," but then waited a full year before second album Immigrant appeared in mid-1985. (It's not very surprising that the album was recorded with a lineup change, this time drummer Marcus Gilvear instead of Dick Hawkins.) Immigrant also hit number one on the indie charts, but during a tortured American tour, founding member Hudson left, and was replaced by former Generation X guitarist James Stevenson.
The year 1986 brought a contract with Beggar's Banquet and, subsequently, popular-chart success for the group. "Sweetest Thing" hit the Top 75 in England, and the resulting album, Discover (which included a limited-edition live album called Glad to Be Alive), reached the expected indie chart top spot and also did well with college radio in America. Chris Bell became the band's fifth drummer later that year, and Gene Loves Jezebel's fourth album, The House of Dolls, was released late in 1987, yielding a single, "The Motion of Love," that grazed the U.S. charts. The Astons turned their attention to dance with the single "Heartache," but Michael decided to leave the band by mid-1989.
In a small twist of fate, Gene Loves Jezebel gained its highest-charting American single the following year, when "Jealous," the major single from Kiss of Life, reached number 68 in August 1990. Two years later, Jay Aston and co. released Heavenly Bodies, which did well in Europe and on American college radio; the group's American label folded one year later though, and after a few sporadic live shows, Gene Loves Jezebel called it quits.
As early as 1992, Michael Aston had been working with a new band called the Immigrants. Two years later, he re-formed the band as Edith Grove and released a self-titled album. Michael and Jay began working together again that same year, and later recorded two songs with Stevenson, Bell, and Rizzo for a GLJ best-of compilation, released in September 1995. While Jay performed occasional acoustic shows under his own name, Michael played with members of Scenic and released a solo album, Why Me Why This Why Now, in 1995. Gene Loves Jezebel re-formed in 1998 for VII, released in 1999 on Robinson Records. It was followed that same year by both Love Lies Bleeding and Live in the Voodoo City. Giving Up the Ghost appeared in early 2001. The two-disc Anthology, Vols. 1 & 2 arrived in 2006.