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Johnny Mathis Tickets

Johnny Mathis

Audiences who enjoy acts like Johnny Mathis know that pop music and rock music are generally considered to be the types of music that the broadest audience will listen to. Pop and Rock artists target the "mainstream" through the use of catchy rhythms, melodies, and lyrics. Pop and rock music is often ranked in charts based on record sales, airplay, or a combination of both. Pop and rock artists are responsible for two of the most commercially successful and widely listened-to genres in the history of music.

One of the biggest pop music artists of all time is Madonna, who is often referred to as the "Queen of Pop." Britney Spears was often called the "Princess of Pop", and Michael Jackson was known as the "King of Pop." In a similar way, Elvis Presley was referred to as the "King of Rock n' Roll" in his day, and The Beatles are still recognized as one of the most legendary pop groups worldwide. Currently, One Direction and Lady Gaga are well known acts in the pop music genre, while the Dave Matthews Band, Pearl Jam, and Queen are among the most popular rock bands. Find tickets for Johnny Mathis tickets at TicketRoom!

Johnny Mathis Concerts

Date Location Venue Price Get tickets

11.01.2025 08:00

Fort Lauderdale

USA

Au-Rene Theater - Broward Ctr For The Perf Arts

11.01.2025 08:00

$71.30-$750.00

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25.01.2025 07:00

Rancho Mirage

USA

The Show - Agua Caliente Casino

25.01.2025 07:00

$138.00-$355.00

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08.02.2025 08:00

Clearwater

USA

Ruth Eckerd Hall

08.02.2025 08:00

$68.00-$833.25

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15.02.2025 08:00

Mashantucket

USA

Fox Theatre - Foxwoods Casino

15.02.2025 08:00

$101.00-$500.50

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10.04.2025 07:30

Shippensburg

USA

Luhrs Performing Arts Center

10.04.2025 07:30

$111.00-$687.50

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26.04.2025 08:00

Shipshewana

USA

Blue Gate Performing Arts Center

26.04.2025 08:00

$131.99-$934.25

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10.05.2025 07:00

Santa Rosa

USA

Luther Burbank Center for the Arts - Ruth Finley Person Theater

10.05.2025 07:00

$134.00-$536.80

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11.10.2025 07:30

Worcester

USA

The Hanover Theatre for the Performing Arts

11.10.2025 07:30

$104.00-$769.25

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Artist Info

One of the last and most popular in a long line of traditional male vocalists who emerged before the rock-dominated 1960s, Johnny Mathis concentrated on romantic readings of jazz and pop standards for the ever-shrinking adult contemporary audience of the '60s and '70s. Though he debuted with a flurry of singles chart activity, Mathis later made it big in the album market, where a dozen of his LPs hit gold or platinum and over 60 made the charts. While he originally concentrated on theme-oriented albums of show tunes and traditional favorites, from the '70s onward Mathis began incorporating more varied styles of music into his recordings, including soft rock, R&B, and country. This stylistic eclecticism, combined with ubiquitous vocal chops, helped Mathis remain a popular concert attraction well into the 21st century.
Unsurprisingly, given his emphasis on long sustained notes and heavy vibrato, Mathis studied with an opera coach prior to his teenage years, and was almost lured into the profession; his other inspirations were the smoother crossover jazz vocalists of the 1940s -- Nat "King" Cole, Billy Eckstine, and Lena Horne. Mathis was an exceptional high-school athlete in San Francisco, but was wooed away from a college track scholarship and a potential spot on the Olympic squad by the chance to sing. He was signed to a management contract by club owner Helen Noga, who introduced the singer to George Avakian, jazz producer for Columbia Records. Avakian signed him and used orchestras conducted by Teo Macero, Gil Evans, and John Lewis to record Mathis' self-titled debut album in 1957. Despite the name talent and choice of standards, it was mostly ignored upon release.
Columbia A&R executive Mitch Miller -- known for his desperately pop-slanted Sing Along albums and TV show -- decided the only recourse was switching Mathis to Miller's brand of pop balladry, and the formula worked like a charm; the LP Wonderful Wonderful didn't include but was named after a Top 20 hit later in 1957, which was followed by the number five "It's Not for Me to Say" and his first number one, "Chances Are." From that point on, Johnny Mathis concentrated strictly on lush ballads for adult contemporary listeners.
Though he charted consistently, massive hit singles were rare for Johnny Mathis during the late '50s and '60s -- half of his career Top Ten output had occurred in 1957 alone -- so he chose to focus instead on the burgeoning album market, much like Frank Sinatra, his main rival during the late '50s as the most popular traditional male vocalist. Mathis moved away from show tunes and traditional pop into soft rock during the '70s, and found his second number one single, "Too Much, Too Little, Too Late," in 1978. Recorded as a duet with Deniece Williams, the single prompted Mathis to begin trying duets with a variety of partners (including Dionne Warwick, Natalie Cole, Gladys Knight, and Nana Mouskouri), though none of the singles enjoyed the success of the original.
Mathis continued to release and sell albums throughout the '90s -- his fifth decade of recording for Columbia -- and beyond, among them 1998's Because You Loved Me: Songs of Diane Warren and 2000's Mathis on Broadway. Mathis followed the Broadway album with 2002's The Christmas Album and 2005's Isn't it Romantic: The Standards Album, both of which found the iconic vocalist in fine form. In 2008, Mathis released the Walter Afanasieff-produced and arranged A Night to Remember, his first straight-ahead adult contemporary album in over a decade. Let It Be Me: Mathis in Nashville, Mathis' first full-length album of country music, appeared in September of 2010. The album ultimately garnered a Grammy Award nomination for Best Traditional Pop Vocal Album.